Tag Archives: Every Minute Can Kill

Recent Roundup: Acceptance and accomplishment in the music world, from Against Me! to Every Minute Can Kill

While excited graduates don their caps and gowns, high school students prepare for prom and summer rolls ever closer, waves ripple through the music industry, washing ashore acceptance and accomplishment alike.  

The Ocean

In the midst of North Carolina’s recent vote favoring Amendment One and President Obama’s statements supporting gay marriage, Tom Gabel, front-man and guitarist of the Florida-based punk band, Against Me!, opened up to Rolling Stone about his plans for the future; a future where he’ll eventually take the name Laura Jane Grace.

Adding his voice to milieu, Gabel revealed his plan to step out of the shadows of gender dysphoria and undergo hormone therapy and electrolysis treatment in order to transition into a woman. Gender dysphoria, previously known as gender identity disorder, is the act of feeling uncomfortable with one’s biological sex, a weight which has weighed upon Against Me!’s front-man for years.

After his announcement, Gabel received praise for his courage within the online and music communities alike. While he admits in the article, available in the latest issue of Rolling Stone, that embarrassing moments are inevitable, his biggest source for trepidation stemmed from his wife, Heather. “For me, the most terrifying thing about this is how she would accept the news,” Gabel told the magazine. “But she’s been super-amazing and understanding.”

The couple plan to remain married and, while some fans have expressed a concern for Gabel’s future involvement with the band, one thing is certain: acceptance is a song we all can sing, so long as we care enough to learn the melody.

  1. AltPress
    NEWS: Tom Gabel (Against Me!) comes out as transgender, to begin living as a woman http://dlvr.it/1XfNZ6
    Tue, May 08 2012 22:26:04


  2. matt_owns
    I have to say that Tommy Gabel has more courage than most of humanity. Damn proud to be a fan of his/hers.
    Wed, May 09 2012 19:34:18


  3. RxOliver
    Nice to see so many influential people in the music industry publicly showing their support for Tommy Gabel today. #PunksNotDead
    Wed, May 09 2012 17:57:04


  4. Bruce_Holder
    Thank you Barack Obama and Tommy Gabel for making me proud again to be an American @whitehouse @tommygabel
    Thu, May 10 2012 00:45:18



Welcome to the Family

Every Minute Can Kill, a local post-hardcore five-piece, can now boast that they are officially infamous. Infamous Empire, an organization which specializes in tour booking, studio management, band management and graphic design, brought the Vineland-based band into the family fold, adding the locals to their roster. Joining the likes of, Apparitions, As They Sleep, Damien Deadson, It Lies Within, The Party Foul and Your Chance to Die, Every Minute Can Kill look forward to their future within the Infamous family, sharing on Facebook, “They’re going to help us do big things.”

In the Market for Evening Plans?

Every Minute Can Kill is performing this evening in Levittown, Pa. alongside At Daybreak, Me Versus I, The Pugilist and It’s a Trap. The M.O.S.H.-ing begins at 5:30 p.m. at St. Paul’s Church, located at 89 Pinewood Drive.


“If music be the food of love, play on.”

Nicely played, William; nicely played, and while many individuals have an adverse reaction to Shakespeare— joining the ranks of countless high school graduates, all of whom lost the taste for prose somewhere between the umpteenth reading of “Romeo and Juliet” and the mandatory participation in the in-class performance of “Julius Caesar“— the ol’ playwright may just be on to something.

Music, that rare substance that possesses the power to echo the tales of past protests, bears the marks of the movements of generations and whispers the collective history of humanity.  A form of sustenance, music fuels individual appetites and brings friends and strangers to the table.

While musical starvation in our world of interconnectivity and online piracy is virtually impossible, I feel as though I’d be committing nothing short of forcible famine to abandon M.O.S.H. This project, which rose from the ashes of a class requirement, has grown into more than a method of grading and evaluation. It’s a form of sustenance. The time has come and, if I may borrow the immortal prose of Shakespeare, I intend to “play on.”

Write On: The Greatest Hits

In our modern world, the three-meals-a-day model took a stagedive. So, while waiting for that next big musical feast, nibbling is fully advisable and certainly recommended. Below, to save you the trouble of raiding the fridge of pop-punk, alternative rock and indie acoustics, you’ll find a collection of bite-worthy reads that should hold even the most insatiable appetite for a spell.


Photo courtesy of Brandon Debes

A1 Carmen Magro discusses his musical influences, what brought him to music and what his songs mean to him and his fans

B3 Review: “Who Shot Rock and Roll” brings the genre to life

C5 I Call Fives receive praise for their latest endeavor, “Someone That’s Not You”

D4 Every Minute Can Kill discuss the band’s formation, “Faceless Creatures” and offer tips on being a success in the local music scene

E2 Bon Jovi, Springsteen, Alesana and Ace Built this City on Rock and Roll

Bonus: the possibility of a vending machine eating your last dollar bill is slim to none. No need to fear dropping all of your change and looking like a fool, falling to your knees in a desperate scramble to stop the coins from rolling between the Coke machine and your intended treasure trove of over-priced goodies. The tears when you realize that your last quarter just found its way into Narnia via the blackest of abysses; save them for the last all-nighter of the semester.*

*For the sake of artistic direction, let’s just assume that the above example is completely fictitious in nature.

Oh the Horror: Local artists share their stories of bad timing, equipment glitches and wardrobe malfunctions

Eat your tell-tale heart out Edgar Allan Poe. Much like the monster in the closet, musicians must battle the technical glitches, flat tires and wardrobe malfunctions that go bump in the night.

Beyond the member-generated terror— it is a general consensus that girlfriends are never welcomed to band practice— horror stories plague bands, from the nationally known to the garage-band heroes. As post-hardcore outfit, Every Minute Can Kill, rockers, Beyond the Element, and alternative rock-ensemble, The World Outside, can attest, ghastly tales perpetuate more than dark and stormy nights.

In a Kingdom by the Sea

After finishing recording their album, “Get Your Groove On,” in Toms River, Vineland-based Every Minute Can Kill ventured to a nearby White Castle to replenish the calories that rocking out burns. While the band was listening to the rough mixes of their tracks— naturally with the music up and windows down— a rusted pickup truck, with no windows, matched pace with them. A mile or so later, after bearing the brunt of an angry onslaught of profanity laced death threats, the truck with the noted “skinhead” drove off, leaving Every Minute Can Kill with a tale that would do Poe proud. “He drove away and left us unscathed,” said Rich Williams, guitarist for the band. “But we still joke around that he almost ripped our old bassist, Frank, right out of the car.”

Beyond the Element’s Mike Badgley and Corey Presner at World Cafe Live in Philadelphia during their reunion show. Photo by Sara Jordan Reis

While the road is an assumed platform for nightmares, a venue’s stage is where a nightmare can quickly mutate into a full-blown terror. Factors such as equipment failure and nerves can dramatically affect a band’s performance. Unfortunately, for Jersey-born Beyond the Element, both demons have reared their ugly heads during their set.

“Our first show with Kevin— no offense Kevin— he played everything 30 times faster [than the rest of us],” said bassist and vocalist, Corey Presner with a laugh. “He played different music than us.”

When Beyond the Element’s drummer, Kevin Reardon, is not “playing different music,” he is busy destroying his drum set. During their set one evening, Reardon kicked a whole in his bass drum, forcing him to think fast. “That was fun,” said Reardon with a sigh. “I had to turn the bass drum around [in the middle of the song] and finish the show on the front of it.”

Quote the Raven

Much like a crowdsurfer materializing out of the audience and fulfilling the kicks-to-the-head quota every show-goer agrees to, band horror stories crop up unexpectedly, ambushing bands both internationally known and locally grown. Technical glitches, on-stage mistakes and van problems pepper the existence of any band, spreading panic in their arrivals; a panic rivaled only by that of a rookie show-goer when a M.O.S.H. pit opens up and the call for a “wall of death” echoes throughout the venue.

Transforming nightmares into, “One day we’ll look back on this and laugh,” local acts, Every Minute Can Kill, Beyond the Element and The World Outside face the fears that could fall the House of Usher with each set. After all, the show must go on.

Every Minute Can Kill discuss the band’s formation, “Faceless Creatures” and offer tips on being a success in the local music scene

Shaking up the underground, Jersey born Every Minute Can Kill certainly hasn’t been wasting any time since solidifying their line-up in 2010. Two EP’s, press attention from the likes of AMP Magazine and dozens of shows later, the members of the Vineland-based band discuss how Every Minute Can Kill came to be, their new EP and share their tips on success.

Photo courtesy of Every Minute Can Kill

Starting with a little background on the band, what was the process of actually forming the band?  Were you friends before Every Minute Can Kill?

Trevor Jennings (vocals): Essentially, everyone in our current line-up has either been friends with someone in the band or has a friend of a friend of the band.  We had a ton of member changes prior to actually pulling together and getting serious in 2010; that’s when we found really dedicated, enthusiastic members and have stuck with almost the same group ever since.  It’s funny because our newest member, Danny, was sort of a friend and a fan, so he’s the only member of the band who’s actually worn our t-shirts (laughs).


Briefly recount your road to success: the hard work needed, the practice hours, getting your name out there, etc.

Jennings: The hardest part for us starting out was probably just finding a solid line-up. Finding people who are right for the job, but are also cool guys you can hang out with and work with is a difficult task. Once that was done, we traveled to Toms River to record our first EP, “Get Your Groove On” and a cover song soon after. It was our first time in a legitimate studio and for some of us it was our first time recording anything at all.

After performing shows with some notable acts such as Alesana, Chiodos, The Chariot (one of our favorite bands) we decided it was about time to write again. We’ve always had a pretty limited budget, and since we decided we definitely wanted to put out good, quality material we had to limit ourselves to a single. This was our first time writing 100% as a full band and it really gave us the opportunity to sit down and decide exactly what we wanted to sound like. “Purpose.” came out in March of 2011 and was well received, which convinced us to dive further into our new sound and create “Faceless Creatures,” which brings us to where we are now.

Trevor Jennings singing along with fans at Hangar 84 on Jan. 27, 2012. Photo: Dan Axelson Photography

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What’s in a Name: Every Minute Can Kill presents “His Name Was Mayhem,” the story behind the title

A good song is formulaic in nature. It requires a balance between technicality and simplicity, a dash of reality and a heap of passion. It takes more than a catchy chorus to land a song in the realm of repetition, however.

Every Minute Can Kill performing at Hangar 84. Photo courtesy of Allie at amr photography

Where’s the hook?

A good song needs a good title. Simple, I know. Common sense, agreed. So, why waste a line of type? The answer is just as simple. The title acts as a song’s calling card, the first impression that will lead a listener to giving it a spin before another track. Given the level of responsibility placed on a select few words, one cannot help but wonder, “What exactly goes into crafting a title which will sell a song?”

What’s the influence?

“His Name Was Mayhem,” the opening track on Faceless Creatures, an EP released in January 2012 by Vineland’s own five-piece, post-hardcore band, Every Minute Can Kill, goes beyond clever word play and wit. A real life event, which borders on horror and humor, lent itself to the song’s title.

Who’s the inspiration?

Trevor Jennings providing the vocals. Photo courtesy of Allie at amr photography.

A parking lot in Trenton, N.J. now functions as the stage on which Mayhem made his curtain call. “Parking for the venue was tight so I parked a few blocks away,” recalls Trevor Jennings, the 19-year-old vocalist of Every Minute Can Kill. “We [Jennings and his friends] were just about to leave my car when two strangers surrounded us and forced us to roll down the window…that’s when we met ‘Mayhem.’”

Mayhem went on to tell Jennings and his friends all about himself. He proudly revealed his “Mayhem” tattoo, which runs across his stomach and neighbors permanently inked swastikas. He checked Jennings’ car for “non-white races,” and “borrowed” money from the vocalist and his friends.

“We named ‘His Name Was Mayhem’ after him,” says Jennings with a laugh. “Good times.”

Not all songs can boast that their titles were built on the foundation of Mayhem but one thing is certain: Good times and good tunes remain a combination as classic as peanut butter and jelly.


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